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Art

Linear perspective gives a picture a viewpoint

Archive 00958

Slide 1

Linear perspective connects painted space to a viewpoint

Linear perspective organises a flat image so that space appears to recede. It relates depicted positions to a chosen viewpoint.

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Objects of similar real size can appear progressively smaller in depth. This gives the artist a consistent way to connect nearby and distant forms within one constructed space.

Slide 2

Receding parallel lines meet at a vanishing point

In one-point perspective, a set of parallel lines receding directly away from the viewer converges towards a vanishing point in the picture.

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The real edges do not need to meet. Their convergence belongs to the projected image, which translates a three-dimensional arrangement onto a two-dimensional surface.

Slide 3

Repeated edges guide the eye into that space

A tiled floor or repeated architectural edge can make perspective easy to recognise. Its receding pattern gives the eye a route into painted space.

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The vanishing point can also organise attention within the composition. Its placement is a design choice, even when the surrounding construction follows a geometric method.

Slide 4

Brunelleschi experimented; Alberti described a method

Brunelleschi's experiments in Florence helped establish an influential perspective system. Alberti later described a method for painters in De Pictura.

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A written account made the system something that could be explained and taught. The history concerns the communication of a method as well as individual convincing paintings.

Slide 5

Netherlandish painters built convincing space in other ways

Early Netherlandish painters also made persuasive pictorial spaces. Their practice did not simply duplicate the formal Italian system.

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A painting can create depth through several cues, including scale and overlap. Recognising a convincing room does not establish that its maker used one particular mathematical construction.

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