Skip to content
Lord Sterling
Art

The Alhambra layers writing water and pattern

Archive 01003

Slide 1

The Court of the Myrtles pool reflects the architecture

In the Alhambra's Court of the Myrtles, the pool reflects surrounding structures. Water becomes part of the visual organisation of the courtyard.

More to Read

The official site describes the reflection as a geometric projection. A surface that occupies the ground plane introduces another view of the buildings into the visitor's field of vision.

Slide 2

Myrtle bushes strengthen the pool’s central arrangement

Myrtle bushes line the longer sides of the pool and give the courtyard its familiar name. Their placement strengthens the central arrangement.

More to Read

The planted borders work with water and built surfaces. The court's design is therefore understood through their relationship rather than through architecture considered without its garden elements.

Slide 3

Inscriptions add words to the decorated surfaces

Inscriptions form part of the Alhambra's decoration. Letters occupy designed surfaces while carrying verbal meanings for readers.

More to Read

The Patronato's study of the Lindaraja fountain treats epigraphy alongside ornament. A decorative passage can be studied both as a visual pattern and as a text with a particular context.

Slide 4

A fountain can coordinate basin, ornament and inscription

A fountain's basin, ornament and inscription can form a coordinated work. Water is encountered within a carefully shaped material setting.

More to Read

Studying one fountain separately can reveal details that disappear in a broad view of the palace. The complex rewards attention at the scale of an object as well as a courtyard.

Slide 5

Movement reveals more than one celebrated Alhambra view

The Alhambra combines rooms, courts and decorated surfaces that are experienced through movement. One celebrated view cannot stand for every part of the site.

More to Read

The reflecting court and an inscribed fountain offer different ways of organising attention. Comparing them shows how several materials and senses contribute to the larger architectural experience.

Sources

Join Lord Sterling to explore your personal Discover feed and preserve what interests you.