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Art

El Anatsui makes a hanging sculpture from metal fragments

Archive 01001

Slide 1

Anatsui transforms found packaging metal into hanging sculpture

El Anatsui joins small found metal elements into large hanging works. Materials associated with packaging acquire new visual and sculptural roles.

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Bottle caps can retain traces of printed branding or their former shapes. The material's earlier commercial life can remain legible within the transformed surface.

Slide 2

Folding and flattening change how fragments catch light

Metal pieces can be flattened, folded or otherwise shaped before assembly. Their treatment changes how they catch light and join their neighbours.

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The Chazen Museum describes caps facing in different directions in Danu. A maker can choose between exposing a brand and showing the underside's physical pattern.

Slide 3

Many joins make a flexible metal surface

Joined fragments can form a surface that hangs and folds. The work combines the weight of metal with an appearance that may recall cloth.

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Dusasa II includes found aluminium and copper wire among its materials. The connections are central to the sculpture's behaviour, not merely hidden fasteners beneath an image.

Slide 4

Draping then gives the work its spatial form

A flexible sculpture's folds contribute to its appearance. The work occupies space through draping and projection rather than remaining a flat coloured field.

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A photograph captures one installation and one angle. Understanding the object also requires recognising the depth, overlaps and shadows produced by its hanging form.

Slide 5

The transformed fragments still carry their earlier history

Anatsui's work does not erase every trace of the objects it uses. Familiar fragments and expansive form remain in a productive relationship.

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Calling the result recycled material describes only part of the process. Selection, shaping, joining and hanging are distinct artistic decisions that build the sculpture's final encounter.

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